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An old man, rugged but kindly-featured, rises on his entrance, and gazes at him expectantly. Mona, going up to him, rests her hand upon his arm, and, indicating Geoffrey by a gesture, says, in a low tone,— "Dear Lady Rodney, no," cries the horrified Æsthetic, rather losing faith in her hostess. "I mean about his resigning lands and heritage, position, title, everything—all that a man holds most dear, for a mere sentiment. And then it was so nice of him to shoot himself, and leave her all his money. Surely you must see that?" There is both dignity and tenderness in her tone. She gazes at him earnestly for a moment, and then suddenly slips one arm round his neck..
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When she has finished, Geoffrey says "thank you" in a low tone. He is thinking of the last time when some one else sang to him, and of how different the whole scene was from this. It was at the Towers, and the hour with its dying daylight, rises before him. The subdued light of the summer eve, the open window, the perfume of the drowsy flowers, the girl at the piano with her small drooping head and her perfectly trained and very pretty voice, the room, the soft silence, his mother leaning back in her crimson velvet chair, beating time to the music with her long jewelled, fingers,—all is remembered. "She may," says Jack. "Well go on. What more does he say?" All this time the old man was watching him, for he said in his heart, "This seems a good young man and a good hunter. Perhaps I will give him my daughters for wives, and then he will stay here and help me always." As the children whose ancestors came from Europe have stories about the heroes who killed wicked and cruel monsters—like Jack the Giant Killer, for example—so the Indian children hear stories about persons who had magic power and who went about the world destroying those who treated cruelly or killed the Indians of the camps. Such a hero was Kŭt-o-yĭs´, and this is how he came to be alive and to travel about from place to place, helping the people and destroying their enemies..
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